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selected work
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On Intimacy / The Shape, Density and Velocity of a Wet Kiss
essay, read at ADULT ENTERTAINMENT, Berlin, 4th July 2025
Crisis of Representation
booklet, companion text to The Joys on view at Aktionshaus, Berlin, Summer 2025
Politics in the Closet
script, part of If Tomorrow’s Sun Finds You Within My Boundaries on view at Obelus 2, Berlin, Spring 2025
Five people lock themselves up in a closet to get sober, forget the world, and experience total darkness.
The Fetish Diagram
diagram, designed in collaboration with Myour Gape
Driven by the illusion of its positivity, civil society unfolds as a space chartered by the relationship between liberty and property. However, to understand liberty in terms of property is to irremediably dwell within an atrophic dimension of fetishism.
Bad Gateway
exhibition text for Henri Haake’s Bad Gateway at Obelus, Berlin, November 2024
Mea, Precious Angel: Provocations Toward a Modularity of the Abyss
book, 50 pages, cellulose, printed by the artist in edition of 50 in Berlin, DE, May 2024
Mea, Precious Angel is the companion text to the exhibition Until This I Mean This, originally on view at Obelus, Berlin between May and June 2024. An experiment in falling disguised as an attempt to fly, Mea draws on Audre Lorde's 1978 articulation of erotic power in "Uses of the Erotic" and pushes into uncharted territory. What begins as an engagement with Lorde transforms into a psychotic monologue delivered by the angel Mea Dow, who introduces a new affective category: the limic. The limic names a condition of extreme erotic indulgence in the lush and rampant space—the limit—flourishing between two whose individuation and identification are suspended. In the narrative, identification and identity are understood in connection to their shared Latin root, idem, meaning 'sameness', standing in contrast to the unbridled diversity of experience. Through a dense weave of poetic prose drawing references from academic theory, poetry and literature, Mea develops the logic of the limit into what is in the text is finally introduced as "the alcove": a conceptual space that traces objectification back to its origins in intimate, individual life. Mea's conclusion is unforgiving: the dimension whereby the unknown is casted into nothingness, the Abyss, is fundamentally modular and a-semantic: it originates within a hyper-specific, subjectual intimacy antecedent and posterior to discoursive categories such as sexuality, religion, gender, race, or economic class. The text playfully experiments in style and setting with a contemporary reimagination of the “pasquinata” , a public and provocative mode of institutional critique original of early medieval Rome. Beneath its apparently crafted surface runs an improvised descent, a single, unrevised movement that refuses the safety of analysis and correction.
in the atmosphere remains
essay, companion text to To Kiss on a Battlefied, Act 1 on view at Gallery D301, CalArts, Valencia, CA, Spring 2023
A CROSS POETICS [selected writings 2022-2023]
book, 44 pages, alternate cellulose and transparent vellum, originally assembled for CalArts MFA Open Studios, April 2023, printed by the artist in single edition in Los Angeles, CA, USA, Spring 2023
Poem in Shape of a Wound
poem, 38 pages, inkjet on cellulose, originally exhibited in Untitled (2022), Gallery D300, California Institute of the Arts, printed in single edition by the artist in Los Angeles, CA, USA, January 2022